Thursday, 11 July 2013

Monsters University, Despicable Me 2 and Epic


Okay, so over the past two weeks or so, I've managed to see all 3 of the new big animated features that have recently come to Australia, mainly because there is nothing else at the cinema (at least the cinema closest to me) that I want to see. So, I've stuck to animation, because at least the visuals should be nice, and at least the jokes might be funny. Instead of giving these films their own reviews, I've bundled them together in the hopes of comparing for my own weird pleasure. Anyway, I just want to say firstly that all of these films are quite good. Really good, actually. Maybe even great. But let's get into them each individually, starting with Pixar's latest.

Monsters University is a prequel to quite possibly my favourite Pixar film ever, Monsters Inc. In this enstalment, we get to see how Mike (Billy Crystal) and Sulley (John Goodman) met at university. After both of them being kicked out of the Scarer Program at the university, they team up together to try and win the Scare Games, along with the underdog fraternity Oozma Kappa. There are other things that happen, of course, but I don't really want to spoil it, because I alway find that Pixar films work better when you just know the basic premise, then you can discover all the messages and meanings for yourself as you watch it.


Okay, I'm gonna say this now. When I first heard that they were making a prequel to Monsters Inc., my first reaction was "Oh crap." I thought it was unnecessary to make anything else to do with that universe, especially since the original film came out over ten years ago. And you know what, after seeing it, I still think it is unnecessary. That doesn't mean I think this is a bad film, far from it, but the ending to Monsters Inc. is for me one of those endings where you don't need anything else. The film was resolved perfectly, and for me, this prequel is just a way to cash in on a franchise. But like I said, that doesn't mean I don't think this is a bad film, and I did enjoy watching it. I just don't think it needed to be made.

Well, now that that's out of the way, what makes this film good? The same thing that held the first film together, the relationship between Mike and Sulley. It is nice to watch them build up their friendship and get to know each other in a fairly believable way, and the other characters in the Oozma Kappa fraternity are all interesting in their own way, especially the designs. But Mike and Sulley really steal the show, especially in the last 20 minutes or so of the film. In fact, the last 20 minutes of the film saved it for me. Up until then, the plot was essentially your typical underdog sports movie type plot, and the end happened and everything changed. I'm not saying what happened, but it is almost as good as the ending in the first one. Almost.


So, if I had one complaint, it would be that Randall's character doesn't get enough screen time. It's pretty much just tagged on as an after thought, which leaves his character really thin. The other thing is that animation is very childish. There are a lot of primary colours used, whereas the first one was more natural looking and dark, but that's just me being a nitpick. The actual animation on the characters is superb as always, I just don't like the colour scheme. Randy Newman returns to do the score, and it is really good this time! There are a few pieces from the first film used here and there, but there are also some really excellent new pieces that use a marching band instrumentation to bring out to university feel. It works really well.

I think that's it for Monsters University. If you liked the first one, then you will probably like this. If you love the first one, like me, then you may come out of this like me feeling a little bit... confused. Not really thinking it should exist, but liking it anyway sort of thing. But it is a good film, it's funny, the characters are great and kids will more than definitely like it.


Moving on to our next film, and I can pretty much guarantee that every kid will like something in this movie. I saw this film about 3 weeks after it had come out at the cinemas and there was not a single seat left in the house. Mind you, it was school holidays, but still. Despicable Me 2 follows the adventures of Gru (Steve Carrell), ex-villain and now proud father, as he is roped into helping the Anti Villain League, run by Silas Ramsbottom (Steve Coogan). He is given a mission to discover a villain in a shopping centre, and also a new partner, Lucy (Kristen Wiig). But that doesn't matter. The whole plot doesn't matter, and doesn't make much sense. This film is basically Minions and other people who are also doing stuff... but mainly MINIONS! They are getting their own film as well.

Yeah, if you didn't like the minions from the first film, then you won't like this film at all. There are whole segments where the plot takes a back seat because the minions are doing something funny. Whereas in the first film they comedic background noise, in this film they take over the whole thing. And to be honest, if you're willing to just sit back and have fun and let the silliness wash over you, then it's not that bad. The minions are funny, so much so that other companies are now copying them terribly (looking at you, Lorax) and even though they draw so much away from the plot, I found my self not caring too much. Basically because this isn't a serious film. It doesn't care if the plot staggers to a rather anti-climatic conclusion, it just wants it's audience to have fun. And have fun I did!


Voice acting-wise, everyone here is good. Steve Carrell is excellent again, as Gru. Kristen Wiig is fun and Lucy is probably my favourite character from the film, if only because she moves from professional to fangirly in a matter of seconds. Both Ken Jeong and Steve Coogan are underused, with there really being no point for Jeong to be in the film except as an obvious red herring. Russell Brand seems to me to be one of those actors, like Seth Rogan, who would be better off as a voice actor, if only because he seems to put more effort into his voice roles than his live action work, though unfortunately in this film his character, Dr Nefario, was sadly not in it that much.

Again, the music was also excellent, with some fun songs written Pharrell Williams, and one of them is even sung by Cee Lo Green. But the tune that steals the show is the Minions version of the YMCA. I think my friend died of laughter at the end of the film when they started singing that. The girls in this sequel aren't in it as much, but Margo (Miranda Cosgrove) does get a cute little romantic subplot that also adds to Gru's frustrations as a father. In fact, everything in this film that isn't minion related, adds to both plot and character, but since the minions are at the centre of it all they take centre stage. It's a tricky conundrum to pull off, and to the films credit, it does this very well. If you want to see something fun and not too complicated or anything, then I'd recommend this.


And finally, we move onto Epic. M.K (Amanda Seyfried) moves back in with her estranged father (Jason Sudeikis) after her mother dies. Her father is obsessed with finding the Leafmen who live in the woods near their house, and obsession that led to his wife leaving him before the events of the film. M.K at first doesn't believe him, until she is shrunk down by the Queen (Beyonce Knowles) and told to guard a pod that contains the Light of the Forest from the evil Boggans, led by Mandrake (Christoph Waltz). Helping her is the leader of the Leafmen, Ronin (Collin Farrel), a young warrior named Nod (Josh Hutcherson) and Mub and Grub (Aziz Ansari and Chris O'Dowd), a slug and snail respectively who are the caretakers of the pods.

When I first saw the trailer, I thought this was a gender-swapped Ferngully, and I'm sure a lot of other people thought that as well. There are countless films that are so similar to this, whether through style or story or design or character, it would be pointless to name them all, but some of the ones I came up with were Avatar, Arthur and the Invisibles, and The Spiderwick Chronicles. But let me tell you something, this is better than all of them. The biggest problem with this film was that it came out too late. If this had come out ten or even five years ago, then I think people wouldn't dismiss this film as easily as they are doing now, and as I did. That isn't to say it's perfect, but out of all the out-of-body/walk-in-someone-elses-shoes/shrinking-humans with a possible environmental message films that are out there (and there are more than you'd think), this one is at the top.


And I think the reason for that is because there is no real environmental message. In fact, you want the message of the movie? Watch the rainforest speech from The IT Crowd. That is the message. Everyone is connected, and relies upon and helps each other. The animation in this is also glorious, and some of the designs for the leafmen and the forest inhabitants are very beautiful. The characters are also fun, but my favourite would have to be Queen Tara, mainly because she doesn't let being in a life threatening situation ruin her day. She still has fun! And then when she is in immediate danger, she helps all her subjects as she is helping herself. And she's Queen, not Princess, fucking Queen! Oh my god, it is refreshing to not have an authority figure that is female that isn't a Princess for once.

The voice acting is generally good, with the Chris O'Down and Aziz Ansari stealing many of the scenes they're in. Pitbull makes a cameo appearance as a toad (he he), but I think the real thing that makes this film my favourite of the three (and it is my favourite, and I'll get into more detail as to why in a minute) is that it has Steve Tyler playing a glowworm named Nim Galuu. Let me repeat that. Steve Tyler, yes that Steve Tyler, play a glowworm named Nim Galuu. Nothing can beat that.


So, apart from Steve Tyler, why is this my favourite? I think it might be because, even though the story was old 20 years ago, it isn't part of an existing franchise. Yeah, it was based on a book, from the same author who wrote books that Meet the Robinsons, and The Rise of the Guardians would be based on, but it isn't a sequel or prequel. In the film world, it is an original. The story may not be new, but all the little details are, and it stands out against a world dominated by tired franchises that need to be put down (looking at you, Fast and Furious 6). So yeah, if you haven't seen any of these movies, I would recommend all of them. They all cater to different tastes, so you're bound to find something you like in one of them. I think my next blog will be a list. Not sure yet. Anyway, until next time, readers.

Monday, 1 July 2013

Best Pre-Released Movies Seen This Year.... So Far

I haven't just been seeing a shit-load of movies in the cinema this year! I've also discovered the joy of the audio-visual collection at my uni, and have been borrowing and watching a lot of films from their catelogue (which might explain why I've been getting shit grades in English this semester). Anyway, as well as the many DVDs I've watched for the first time this year, I've also seen quite a number of other pre-released films, ie. movies that were released in a commecial cinema before this year, whether at Acmi or at the Astor. And I thought I would share some of the ones that stood out the most for me this year in terms of visuals, characters, story, premise or for just being fun! I hope that someone will read this and watch some of them and get the same enjoyment that I did while watching these films. Anyway, on with the list!

10. Poltergay


And people think the French are classy! This film has the best title for its premise. A straight guy and his girlfriend move into a new home that is terrorised by 5 dead gay ghosts that only the straight guy can see. Holy fuck, that is awesome! That premise, and the fact that Clovis Cornillac is in it, made me need to see this film. And it's actually pretty good. The plot, while it has some cliches, can be fairly unpredictable at times. It treats the supernatural elements in a unique way, and the lead actors pull it off really well. There are some running gags and subplots that don't really go anywhere, and the ending is a bit abrupt, but I'm prepared to forgive its shortcomings because it has one of the best coming out scenes! And I am not going to spoil it! If you don't want to see this film based on the title and premise, then there is something wrong with you!

9. Troll 2


I kinda wish I'd done my guilty pleasure list after seeing this film, because this would definitely be in the top 3! I saw this at the Astor as part of Cinema Fiasco, a commentary series done all over Melbourne and is fucking hilarious. It was really the only way to see the film. The whole audience was in on the joke and there wasn't a moment when someone wasn't laughing. So, the history behind the film is better than the plot of the film itself, mainly because the plot makes no sense whatsoever! And that is only partly why this is incredible! There is crap acting, crap make-up, crap effects, non-sensical dialogue... All this crapness that combines to make something unbelievably enjoyable. I'm sure many people have seen the infamous "OH MY GOOOOOOOOOD!" clip on youtube, but believe me, that is only the tip of the iceberg. If you love Z-grade movies, then you have to see this one! But watch it with friends, cause otherwise your brain will melt.

8. The Intruder



There was a Roger Corman retrospective at Melbourne Cinematheque, and because his movies are just the sort of schlock I love, I decided to check it out. By far, the best film out of the bunch was this little 1962 race-relations flick starring a very young William Shatner. Considering the subject matter and when this came out, this is a really interesting photograph into the segregated south of the 60s. But what is more amazing is Shatner himself, playing against type as as sleazy, racist bastard who tries to stur up trouble in a small southern town (I say playing against type, but then again I've really only seen him as Kirk). This is a really brave film to make, especially for 1962. Mixed in with some of the more goofy moments, mainly down to the unprofessional actors, there are some really chilling visuals involving the Ku Klux Klan and a violent lynch mob. Unfortunately, it didn't get a big release, and wasn't even able to make back it's tiny $80,000 budget. If you get a chance to see this, do. It may be small, but it's also impressive.

7. Stage Fright


This isn't the only Hitchcock film I've seen this year. Nope, I've also had the pleasure of watching Notorious and The Birds for the first time. But I enjoyed this one more, not only because it first introduced me to Jane Wyman, who is quickly becoming one of my favourite dramatic Hollywood actresses. Not only because it's the first Marlene Dietrich film I've seen all the way through. And not only because it's a thriller set backstage at a theatre with excellent characters and a good twist. No, the one element that really made me love this film was the scene where Alistair Sim plays an accordion. Just to clarify the awesome, Alistair Sim plays the accordion in a Hitchcock movie! Yes I am insane, but it was that scene that made this film all the more amazing! Though you should check the other Hitchcock movies as well. In fact, watch all the Hitchcock movies! It's what I'm aiming to do!

6. Kelly's Heroes  


One word, Oddball. If you though Murdock was insane, he is nothing compared to Donald Sutherland's Oddball. I love this character to death! And considering that his total minutes of screen-time probably add up to something like 20 minutes, in what is meant to be a Clint Eastwood movie, he not only steals this film, but runs it over with his tank in the process! For some reason, I've been watching a lot of films this year with Clint and Donald, but when you pair them together, you get one of the most fun war movies, that actually plays out more like a heist movie than a war movie... but it's still awesome! Especially with the likes of Telle Savalas and Don Rickles in supporting roles, and if you look close enough, Harry Dean Stanton is in there as well! 

5. Subway


To some, he is Christopher Lambert, star of Highlander! But to me, he will always be Chritophe Lambert (the 't' is silent), the star of Luc Besson's Subway. This film is stylish as hell! And not surprising, considering it comes from the French cinema du look movement of the 80s, where style ruled and substance not so much. And yeah, the plot is kinda non-existant to not explained outright. But I don't like this film for the plot, I like this film for the characters. From Lambert's cooler-than-thou Fred, to Isabelle Adjani's stylish socialite Helena, all the characters, even the very minor ones are memorable. But my favourites are definitely Le Roller (Jean-Hugues Anglade), a pick-pocket who escapes the police by living on roller-skates, and Le Batteur, played by a very young Jean Reno, who makes the greatest face when he gets to do a drum solo at the end. If you like French films with more style that substance, then this is one for you.

4. La Strada


I saw my first Fellini film! And oh my god, it was heartbreaking! I can see why people say Giulietta Masina is a female Charlie Chaplin. Her face is so childlike and expressionful, and watching her being abused by Anthony Quinn is like watching a puppy being kicked! But at the same time, La Strada is such a magical film, and so simply told. I am definitely going to try and see some more Fellini this year, but for my first foray into the auteur, this film is incredible.

3. The Lost Weekend


Jane Wyman strikes again! And this time with Ray Milland and Billy Wilder! Wilder is one of my favourite directors, and Sunset Boulevard is one of my all time favourite movies, but I think I made a mistake of watching a double of Ace in the Hole and this. Don't get me wrong, they are both astoundingly excellent, but Ace in the Hole is so painful to watch, that watching this afterwards was not the best pick-me-up. But I did enjoy it more, mainly because of the flawed protagonist the Milland plays, an alcoholic writer, who tries to write by living off drink for a whole weekend. This again is a heartbreakingly beautiful film, and one of Wilder's finest. I don't think I can recommend it enough, so I'll stop now before I get repetitive.

2. Don't Look Now


Steven Jay Schneider, who wrote entry on Don't Look Now for the book series 1001 Movies You Must See Before You Die is the biggest dick in the world for spoiling the incredible conclusion of this film. If you own a copy of that book, and you haven't seen this film, don't read it! Don't Look Now isn't only considered one of the best thrillers, but also the greatest British film ever made. And of course, it has Donald Sutherland in it, which makes it all the more amazing. I don't really want to say much more, if only because you will enjoy this more, if you know less about it. The good thing is, even if this has been spoiled for you (as it was for me, and no, I will not get over it!) it is still full of suspense even if you know the twist.

1. Carnival of Souls


Now, why would I put this little known 60s horror film above the likes of Nicolas Roeg and Billy Wilder? I mean, it was made by a company that predominantly made educational films before making this tiny film, that flopped big time when it came out. The lead actress, Candace Hilligoss, isn't even a professional actress and only starred in one other film apart from this! I mean, really, this can't be good. And no, it isn't good. It's fantastic! Which is odd, because it probably has the most predictable plot out of any of the films on this list. But you don't watch this film for the plot, you watch it for the atmosphere, which is incredibly eerie, helped by the haunting organ score by Gene Moore. And there are some visuals which leap out at you and stay in your mind. After watching this, it's easy to see why directors like David Lynch and George A Romero were inspired by this film. And since it's in public, it's also the easiest film to find. If you're bored one day, check it out. You may be surprised by how hauntingly beautiful this film is.


This list was hard! Mainly because there were just so many good films I've seen so far this year. And not just on DVD, but a lot of the films I've seen in the cinema this year have also been really good, or at the very least watchable. Which means the end of year lists are going to be difficult to say the least. Anyway, hope that I've made these films seem interesting enough for you to check out at least one of them. Until next time, readers.