Terry Pratchett's Hogfather

I have not yet had the opportunity to talk about Terry Pratchett's Discworld series, and to start I need to say that I think it's the best fantasy series ever to have been concieved. Starting with The Colour of Magic in 1983, the series has spread to include 40 novels, 4 Science of Discworld books, a few short stories and a collection of other publications that use the characters featured in the novels. I'm not going to lie and say I've read all of the books, but I have read quite a few. And Hogfather was one of the first.

It's the night before Hogswatch, and the Hogfather is missing. In his place, Death (voiced by Ian Richardson, performed by Marnix van den Broeke) and his assistant Albert (David Jason) are making sure that the presents are being delivered. Death's granddaughter, Susan (Michelle Dockery), meanwhile is trying to find out what has happened to the Hogfather, with the assistance of the Bilius, the Oh God of Hangovers (Rhodri Meilir) and the Archchancellor of the Unseen University, Mustrum Ridcully (Joss Ackland). But it seems a sinister plot to inhume the Hogfather is taking place, being led by the creepy Mr Teatime (Marc Warren). Will Susan be able to save the Hogfather while there is still enough belief in the world for him to exist?

When I first heard that Hogfather was going to be made into a miniseries, my first response "Why aren't they making it into a film?" After I had come to my senses and read the book again, I realised that there was no way any of the Discworld books could be adapted into a feature film format. Simply because there is too much going on. Every book has a main plot with a full ensemble of characters, and they also usually contain at least two other subplots. Hogfather is no different. And because the plots require a lot of explanation, especially for those who are unfamiliar with the Discworld universe, the plot of the miniseries is quite slow. The whole first part is basically build up for the second part, and takes it's time introducing the characters.

But if you don't mind something a little slower, and a little bit different for a Christmas special, then I can't recommend this enough. Terry Pratchett is very clever at commenting on something in our society by putting it into a different setting and changing only the bare minimum. In Hogfather, he looks at how belief is structured and created, and how humans need to believe in things like the Hogfather otherwise they wouldn't be human. And that's another reason why this is different from other Christmas specials. While some may deal with the concept of belief, and what it means to believe and why you should believe in Santa (the obvious ones are The Santa Clause and Miracle on 34th Street). But Hogfather talks about where that belief came from and why it's important.

Another thing that makes this stand out is how dark it can get. But then again, you can't have a TV film where one of your main characters is an assassin and not have it be dark. Especially in the second part, where people start dying very rapidly. So, I wouldn't show this to really little kids unless you think they can take it. Me personally, I don't see what's wrong with something being a little dark, especially a Christmas movie. When there are so many awkward Christmas comedies, it's nice to see something a little more serious that's still quite humorous in it's own right.

Let's talk about the characters. Because I love Susan Sto Helit. If I had a favourite Discworld character, it would probably be her. Mainly because she is unlike any other heroine around. She's very logical and can be quite cold yet still caring in her own way. And she don't take no shit from no one. Michelle Dockery is perfectly cast here, which is something you could say for most of the casting, actually. Marc Warren is suitably creepy as Mr Teatime, with a strange high-pitched voice that really makes him memorable. Joss Ackland is also very Ridcully-ish, David Jason is very Albert-like. I'm sorry if I'm not describing them that well, but it really is almost perfect casting. Each actor is well suited to his character, even minor ones like Tony Robinson as a conniving department store owner.

So if you're looking for something a little different this year, or are just looking for something with a little more intelligence and less schmaltz than your typical Christmas movie, then I would most certainly recommend this. But I would also recommend reading the book, either before or after. The film follows the book so closely that there is hardly anything left out, but a bit more information is given for some characters. If you haven't read any Terry Pratchett, then don't be afraid. His books are incredibly easy to read. I hope to look at his other media adaptations sometime in the future. Not sure when. But until next time, readers, have a Merry Christmas, a Happy Hogswatch and everything in between. 

Mediocre Movies: Fred Claus

Note to self: never make promises. Especially ones that involve a time frame. Sorry for taking so long, but I have been incredibly lazy. Well, there was exams for a while, but for the past month or so I've just been sitting around not doing much. It's been quite enjoyable. So, anyway, you may have noticed that Christmas is coming up. Woohoo!! I love Christmas, and I'm not ashamed of it. Despite how commercial and crazy it has become. I love the food, the tree, the gathering of people to share presents with each other, the presents themselves. And of course, I absolutely adore Christmas movies. Although I do think that some are worse than others. Let's see where this one lies.

Fred Claus (Vince Vaughn) is Santa's (Paul Giamatti) lesser known older brother. Throughout the years, he has become resentful of what his brother has become, and the two siblings have grown apart. When Fred needs to borrow money, he and Santa come up with a deal where Fred will help out with the massive backlog of work at the North Pole then he will give him the money he needs. However, because of the work problems Santa has hired an efficiency expert, Clyde (Kevin Spacey) to help him with the holiday rush. But Clyde seems to have some ulterior motives as to why he is actually there.

Okay, let's get the obvious out of the way first. I don't think Vince Vaughn is a particularly good actor. Mainly because he's been the same character in everything I've seen him in, this included. I also don't really think that he's that funny either. All he does is talk so fast in the hopes that something he says is humorous. And he's the second worst part of this film. The worst part of this film is the atrocious special effects. I'm fairly certain that manipulating an actors face onto a dwarf's body is not the best way to create characters. Couldn't they just get actors that were dwarves to play the elves? No sense is made!

Anyway, back to Vince Vaughn, this isn't the worse thing I've seen in him but it isn't the best. It's just kinda in the middle. But the rest of the cast is pretty good, especially Paul Giamatti as a version of Santa who tries too hard to please everyone. He almost cripples himself to get everything done, and Paul Giamatti expresses the frustration he feels towards the situation that he has found himself in. Kevin Spacey is having fun being slimey and evil, and it's nice to see actors like Miranda Richardson and Trevor Peacock turn up in holiday movies. Though I wish both of them had bigger roles.

The film also has some different ideas that I haven't seen yet in a film surrounding the Christmas mythos, namely the whole 'naughty or nice' thing. It's nice to see a film admit that the world isn't black and white, and that kids behaviour is cannot simply be put into two groups without looking at their reasons or backgrounds. So, that part was interesting. But in terms of actual plot, the rest is very predictable. There's even a love interest in the form of Rachel Weisz. Yes, this film, despite some interesting themes and a good cast, is incredibly mediocre. Though I will say that the second half is so much better than the first half. I found the first half almost unwatchable, it was pure Vince Vaughn insufferability.

So, would I recommend this? Well, if you're doing something else this isn't bad background noise. That's about the best I can say for it. Although, to tell the truth I only wanted to watch because of Kevin Spacey. He's totally worth it, if you skip the rest of the film that he isn't in. Other than that, it's just kinda meh. I'd give it a skip if you like good comedy. Though if you like Vince Vaughn, you'll probably like this.

Yeah, that's about it for this review. I would give a rough estimate of when I'm next going to post, but we all know I'm not going to stick to any schedule. I'm a rebel like that. So, in case I don't write anything else before the end of the year, Merry Christmas, Happy New Year and all that jazz. Until next time, readers.

Best Pre-Release Movies Seen So Far (part 2)

Hey, the return of a list of films that really have nothing in common apart from the fact that I've seen them all recently. So, instead of studying I've been watching even more movies, some of which were excellent. Namely these 10.

Also, there are a couple (well, not a couple. more like 7) that I didn't include in deciding what should go on this list, because I wanted to talk about them in proper reviews, hopefully next week. But knowing me, and knowing all the work I have to get done, that might not come to fruition. But you never know, I might actually keep my promise this time.

So, like last time, top ten films that have been released previously. Let's get started.

10. The Phantom of the Opera (1989)

Yes, I did watch the original Nightmare on Elm Street, and while I do love Robert Englund as Freddie Krueger (mind you, I'd love Robert Englund in anything), it was this film where I really felt he was able to show how good an actor he is. I'd say he's up there with Doug Jones as someone who is able to act through the intense make-up that he is known for acting in. So, how is this version of Phantom? Well, it's got a lot more gore, the woman playing Christine is a little weak at times, and there is a weird prologue and epilogue thing going on. But in all honesty, Robert Englund's Phantom is on of the best versions of the character, able to change from smooth and suave to a ruthless murderer in the same scene. If you're not too scared of gore and love Phantom and haven't come across this version then I would recommend it. Bill Nighy has a supporting role as well! What more could you want?

9. The Station Agent (2003)

I recently started watching Game of Thrones (yes, late, I KNOW) and most of praise comes down to Peter Dinklage is amazing. And he's been pretty awesome in everything I've seen him in, and this is no exception. So, this is one of those Sundance indie film, but I kinda like it. It's quiet and small and the characters are interesting. Plus it has a good subtext about discrimination. And it has trains. I have a soft spot trains. But yeah, Peter Dinklage is a lot more reserved than he is in some of his other roles and it does get a little melodramatic towards the end. But again, it's quite a good film. Michelle Williams has one of her first supporting roles in this as well. If you like indie films, then you probably like this. If you like Peter Dinklage, he isn't as big acting-wise as he is in Game of Thrones but he is still as excellent as he always is.

8. The Seven Year Itch (1955)

Ah, this list wouldn't be complete without at least one Billy Wilder movie! This is one comedy that everyone has heard of, even if only for the famous Marilyn Monroe skirt flying scene. But it isn't really Marilyn's movie, even though she is hilarious in it. But no, this film belongs to Tom Ewell as a mild-mannered husband with an overactive imagination and who causes so much trouble for himself when Marilyn Monroe's character moves into the apartment upstairs. It's a very silly film about infidelity, and the romance between the two leads is very gentle and quite cute as well. I wouldn't put it up there with some of Wilder's other comedies, like The Apartment or Some Like It Hot. But it is enjoyable!

7. Taxi Driver (1976)

So, this was a film that my mum didn't want me to watch. On the one hand I can see why, it is quite an ugly, bleak film. But on the other hand, THE SAX!! Oh my god, the sax soundtrack in this film is so amazing! That's what made this film stay in my mind. That and Rober De Niro is pretty fantastic as Travis Bickle, a man who slowly loses his grip on reality as he tries again and again to reach out to someone. Jodie Foster is also in this, and is scarily good as a child prostitute, and if you are a film student this is one of those films that you have to see. At least once, and I'm glad I did.

6. The Lady Vanishes (1938)/Shadow of a Doubt (1943)

I couldn't pick just one! Hitchcock films are my weakness, and I really like both of these ones. The Lady Vanishes is one of his earlier English films and it has two of the best supporting characters ever! They're just so English and funny and their bromance is my favourite part of the film. And the actual mystery is very intriguing and keeps you guessing until the end. Shadow of a Doubt is probably one of his best thrillers (that I have seen so far). The character of Uncle Charlie is one of the best villians I have come across this year. And it was great to see such an awesome film homaged in Stoker this year. Yeah, more Hitchcock is never a bad thing. Go watch these both, now!

5. Topsy-Turvy (1999)

The Mikado was the very first G&S operetta I saw, so it holds some sentimental value for me. When I first heard that this film about how The Mikado came about had been made, needless to say I was more than a bit excited. Of course, this being a non-mainstream movie, it never made it to my local video shop. Or it did one and then disappeared into the black hole of lost movies. So I had to wait until I discovered it was at my univesity library to finally watch this glorious movie. I'm not the biggest fan of Mike Leigh, I often find his films too distant for my liking. But here, that distance worked. There have been a lot of backstage-musicals, but I think this is the only one that really gets the atmosphere and dynamics of the backstage area. If you have ever been in a show, then I would highly recommend it. If you like Gilbert and Sullivan, then I would recommend it even more. Their relationship is at the heart of the film and both Jim Broadbent and Allan Corduner are perfect in their roles. In all honesty, I have enough notes to write a whole proper review on this film, so I will finish by saying that I think this is one of the best biopics that I have seen.

4. Hedwig and the Angry Inch (2001)

I have no words. This is a great film, an excellent musical and just brilliant in every sense of the word. The music swings from country to heavy rock to sweet ballads and is never boring. Hedwig is one of the most interesting characters I've come across in years. And the way the story is told is so different to other musicals... Really, the only way to fully understand how awesome this is, just go and watch the film. I know I say that a lot, but seriously it's for a reason! These are really good films! Watch them!

3. City Lights (1931)

I'm a horrible film student. I really need to see more Charlie Chaplin films. This film is absolutely adorable, with Chaplin's trademark tramp character trying to help a blind flower girls by pretending he's a millionaire. Of course, things go wrong, misunderstandings happen and lots of people get drunk. But the ending is so sweet and the love story works so well. Definitely one of Chaplin's greatest.

2. The Ladykillers (1955)

They really don't make them like they used to! Ealing was one of the greatest comedic studios ever to have existed, and this is one of their most famous comedies. And with good reason. The premise of this is so simple; 5 bank robbers hide out in an old ladies house under the pretence of being a string quintet, and when she discovers their plan, they all decide that they have to kill her. Brilliant! This film is so dark, and yet it was made in the 50s, I still wonder how they got away with half the stuff they did. If you've only seen Alec Guinness in Star Wars then I suggest you watch this to understand how awesome an actor he really is!

1. Cinema Paradiso (1988)

Goddamn this movie! I started crying about half-way through and then I didn't stop until half an hour after the film ended! There is a reason this film appears on so many top ten lists, and while normally I hate being cliched, I have no other choice but to include it here. This is a love letter to the cinema we experience in our youth and how it shapes the way we grow up. The plot revolves around a boy who becomes the assistant projectionist in a small Italian town. But it's the character of Alfredo (Philippe Noiret) who really stands out for me. I saw the shorter American release, and from what I've read there is a slighlty different ending in the original version that I will probably see someday. But for now, I love this film, even though it made me cry. And I love the characters and the setting, and the old cinema itself. And I believe it is one that everyone should watch at least once.

Well, there we go. Another list done and dusted. And I know I'm posting this on Halloween when I should be posting something related to the holiday, but shit happened and uni work was a little more important. But hopefully I will be posting something on the weekend that's a little more horrific. And I hope to start a little retrospective type thing. Of what, you will see later! Until next time, readers.

Mediocre Movies: Joyful Noise

Sometimes, you come across a film that just baffles you as to how it got made without anyone realising how much of a mess it was. This is one of those films. I wouldn't say it's so bad it's good, it's just ... odd. There are some plot points that don't make sense, characters that act insane, it feels edited to hell, and, the biggest crime, Jesse L. Martin is in this and he DOESN'T HAVE A SONG!!! Did I also mention this film is frustrating as hell?

So, in a small American town the church choir is run by two incredibly strong-minded women, G.G (Dolly Parton) and Vi Rose (Queen Latifah), after the old choir master Bernard (Kris Kristofferson) dies unexpectedly. The choir hopes to win the "Joyful Noise" choir competition in order to bring some much needed hope to a town that is quickly dying. However, Vi Rose wants to stick to the old traditional gospel songs that the choir has been doing forever, while G.G feels that it's time for a change. Throw in the fact that Vi Rose's daughter Olivia (Keke Palmer) is falling for G.G's bad-boy grandson Randy (Jeremy Jordan), which causes friction between mother and daughter, and coincidentally, the choir.

Okay, so to be honest, I was probably not this movies demographic. This is a very Christian film, which isn't a bad thing, but when I watch a movie I don't really want to be preached to. And this film can get quite preachy at times. It does try to address the big issues, mainly with the character of Walter, Vi Rose's son who has aspergers. There is one scene where he a crisis of faith, and questions his mother about why God made him the way he is, and that maybe God isn't as perfect as people make out. This would've been the best scene in the film, if Vi Rose's response had been anything other than "Don't question your creator, He is perfect and amazing," or something along those lines. The film does this a lot, bringing up issues and then resolving them in the most half-hearted way or not in any way at all. But that's not my biggest complaint.

No, my biggest complaint is this. When you have a movie about a choir, you expect the choir to actually be in it. Most of the plot revolves around the melodramas of Vi Rose's family rather than the dynamics in the choir, which is what it should be focusing on! The choir is hardly in it! We get a couple of subplots about a few of the choir members, but they're more played for laughs than for actual character development. And for a musical, it lacks a lot of musical numbers. Both Latifah and Parton have a solo song each, because they are the big stars. But it means that there is less time for the choir.

And let's get to the music. It's okay. The singing is excellent, and I'm fairly sure there might be some original songs (I could be wrong... I probably am), but like I said, this movie was not made for a non-Christian. What I mean by repeating that is it really rubs me the wrong way when someone takes an excellent song and changes the words to suit their own agenda. And good god do some of these covers make me cringe. How's this for a bizarre idea? A Christian reworking of Usher's "Yeah". It's as stupid as it sounds.

So is this film mediocre? Yes, but mainly because it is such a mess. It doesn't know what it wants to be. It's advertised as a light comedy, and yet apart from a few scenes, plays out like a drama. The dialogue is either cheesey or weird, with inspirational speeches alongside such brilliant one liners like "You will respect my snoring!" and "Your daughter is looking at Randy the same way I look at cake." Would I recommend it? No, not unless you are a really big fan of any of the stars. Otherwise, there are some much better choir movies, like Sister Act and Pitch Perfect, which coincidentally came out the same year. Like I said earlier, this is just average bad, so I'd steer clear of it, or watch it by some more dubious methods.

Well, I'm sick at the moment, so hopefully I will have another one of these up shortly. Or a list, I dunno yet. Until next time, readers.

80's Fantasy Movies

So, some decades are defined through different genres for me. While some might think that the 80's are defined through the comedies or teen films that came out then, but for me the 80's created a certain breed of fantasy films that we haven't really seen since. Sure, there have been more fantasy films that have come out, but they lack that brilliant touch of cheese that the 80's offers! So today, I am going to share with you my favourite, that also happen to be some of the best, fantasy films from the 1980's.

Just a heads up, if you know anything about fantasy films from the 80's, then you probably know some of the entries on this list. With regards to the numbers 1 and 2, it was a tough choice between the two, but I went with the one that I'm fairly sure I saw first (I saw them both around the same time, so I'm not exactly sure) but more than that, I chose the one I've seen about 50 times. Yep, I love it that much. So I'm sorry if you don't agree, but these are my choices. Feel free to disagree. Anyway, let's get on with it!

10. The Witches of Eastwick

Jack Nicholson as the Devil... Yep, perfect casting there! And it also has Susan Sarandon, Michelle Pfeiffer and Cher as the three witches. Yeah, the cast here is awesome. But what else I like about this film is how ambiguous about everything it is. Daryl Van Horne is never actually named as the Devil, and yet everyone knows he is. The same with the three women, they are never called witches at any time in the film. It's more implied, and it makes the film so much more interesting. And it's funny. Funny as hell. Yep. Awesome film.

9. Erik the Viking

This is one of my favourite films. Which is weird, considering the film starts with an attempted rape scene, and the fact that my mum thought it would be a good idea to let me watch this film when I was 7. Yeah, brilliant parenting. But this is an awesome film! Tim Robbins goes crazy, Terry Jones has one of his funny voices on, John Cleese is... himself! And it has Eartha Kitt, which is always a bonus. Plus, I totally ship Thorfinn and Sven. Who the hell wouldn't!

8. Time Bandits

I only just noticed that I put the two former Python's next to each other. Oh well. Yeah, this is directed by Terry Gilliam. And you can tell, it gets really dark towards the end, and the it finishes. But the bits in the middle are good. Hell, I'd even say the beginning is good as well. And even though the ending is dark, it fits in the rest of the film. Plus Ian Holm plays Napoleon and Sean Connery plays Agamemnon. Only Connery could Agamemnon charming (considering he acts like dick most of the time. Don't believe me, read up on him.) It was a tough choice between this film and Gilliam's other big fantasy film that came out this decade, The Adventures of Baron Munchausen, but while do adore Baron Munchause, the unflinchingness and brutality that Time Bandits has made it a better film. Yeah, also Gilliam is one of my favourite directors, if you hadn't guessed.

7. Ladyhawke

Before he was in direct to DVD trash, Rutger Hauer was in some good movies! This is one of them! And what makes me like this film so much is just the plot. It's really romantic and sad, but it's what I think of when I think of epic fantasy romances! The whole together but apart theme is quite popular in the fantasy genre. Matthew Broderick is also good in this, and I don't mind the monologues he has with himself, though I never know if anyone else hears him and are too freaked out to comment on the fact that he's talking to himself or if they are in his head... Something to ponder about this week.

6. The Company of Wolves

This film has the most disturbing werewolf transformation I have ever seen. Imagine someone ripping off their skin until only muscle remains, and then I closed my eyes because I couldn't watch anymore. Even thinking about it makes my skin crawl. I was talking about how Time Bandits was dark, but it's nothing compared to this film. The atmosphere in this film in so eerie, it beats a lot of horror films that came out this decade. And the story is not your typical Little Red Riding Hood retelling, it plays around themes of sexual awakening and trust and love. And it has Terence Stamp in a cameo as the Devil, which is never not awesome! So, if you're looking for something a little different, then definitely check this out.

5. Legend

This film is hilarious. Imagine, young Tom Cruise running around a forest with no pants on. Yes, you heard right! But wait, it gets better! Tim Curry is the Lord of Darkness. And it's directed by Ridley Scott. Do you now see why this film is awesome? If you don't, then you need to see it. Don't argue, go and see it right now. This is pure 80's cheese at it's best, and I love every silly moment of it. And you should too.

4. My Neighbour Totoro

This film is absolutely adorable! It expresses what it was like to be a child, when the world was whatever you made of it and magic was everywhere, and yet it presents it for an adult. I wouldn't call this a kids film, and while I might show it to kids, I don't think they would appreciate the way an adult full of nostalgia would. And it is quite slow. But the reason I put this movie on the list rather than other animated movies like The Little Mermaid was mainly because it's so different from other childhood fantasy films. For starters, the father actually accepts what the daughters tell him about Totoro, and believes them! That is almost unheard of in kids fantasy movies, where they have to hide whatever creature they found because their parents can't find out for some reason. The creatures here are also very imaginative, especially the cat bus. And in all honesty, I think the gentle animation of Studio Ghibli is much more beautiful than Disney.Sorry, but I do.

3. Return to Oz

You see that poster there, presenting this film as a continuation of the original from the 1930's? Well, it's not, not at all really. At least in a thematic sense, though the ruby slippers aren't really in it either. While it retains some of the characters and settings from the original film, this sequel is a lot darker. Which makes it awesome! I love the original film, but it is a product of its time, and that sort of film wouldn't have worked in the 80's. Instead, we get a sequel that is a closer adaptation of the books, and yet can easily stand on it's own feet and be viewed without needing to watch or read the originals. I have no problem calling this one of the best (if not the best) sequel I have ever seen. Of course it flopped when it came out, but that was mainly due to people thinking it would be nice like the original. Thankfully, more and more people are seeing it now, and I would recommend it more for older kids, because there are some kinda scary moments. Like the Wheelers. They terrified me when I first saw this, and I was 15 at the time! That is some excellent filmmaking right there.

2. The Princess Bride

I spent hours agonising over whether I should put this film at number 1 or 2, but in the end I had to go with my gut and put it at number two. But just because it isn't first, doesn't mean I don't love the hell out of this film! If there was such a thing as a perfect movie, then this would be up there in the top 10. I don't know anyone who doesn't love this movie, and what's not to love. The story seems predictable, and yet there are twists and turns all the way through that keep you guessing as to what's going to happen. All the characters are memorable in some way, and they got the absolute perfect cast to play them, from Mandy Patinkin as Inigo to Chris Sarandon as Humperdinck to Christopher Guest as Rugen! Plus, there are cameos from both Billy Crystal and Peter Cook. This is the best thing that Cary Elwes has ever done, and I'd almost say the same for Rob Reiner (but he did make 2 of my other favourite movies, This Is Spinal Tap and When Harry Met Sally). There is a phrase on the internet which sums up the film perfectly; you either like The Princess Bride, or you're wrong! And I completely agree.

1. Labyrinth

Yes, David Bowie in questinably tight pants beat out one of the most almost perfect films ever! I'd apologise, but I can't hear you over the sound of "Magic Dance". I can't help it, this film is cheesier than pizza, but I love every minute of it. So much so, that I'm beginning to develop my own ideas as to why the Labyrinth exists and how it works and why Jareth takes such an interest in Sarah, and it's probably only because she's more than likely the only person to navigate the Labyrinth successfully, I mean everyone else probably gave up half-way through, and it's her reislience and determination .... I'm gonna stop. Brian Froud has one of the most imaginative minds ever, and when you combine that with Jim Henson's creativeness and puppets, magic is created. I really have no words. If you haven't seen the film, then see it! If you don't like the film, then I'm sorry you're missing out!

Thank you for reading this list. Again, if you don't like my choices, please tell me which ones you would've put on your list. But don't get at me about the order, otherwise I will throw my cat at you. And she can be very grumpy. There's nothing really left for me to say except, until next time readers, and you remind me of the babe...

Monsters University, Despicable Me 2 and Epic

Okay, so over the past two weeks or so, I've managed to see all 3 of the new big animated features that have recently come to Australia, mainly because there is nothing else at the cinema (at least the cinema closest to me) that I want to see. So, I've stuck to animation, because at least the visuals should be nice, and at least the jokes might be funny. Instead of giving these films their own reviews, I've bundled them together in the hopes of comparing for my own weird pleasure. Anyway, I just want to say firstly that all of these films are quite good. Really good, actually. Maybe even great. But let's get into them each individually, starting with Pixar's latest.

Monsters University is a prequel to quite possibly my favourite Pixar film ever, Monsters Inc. In this enstalment, we get to see how Mike (Billy Crystal) and Sulley (John Goodman) met at university. After both of them being kicked out of the Scarer Program at the university, they team up together to try and win the Scare Games, along with the underdog fraternity Oozma Kappa. There are other things that happen, of course, but I don't really want to spoil it, because I alway find that Pixar films work better when you just know the basic premise, then you can discover all the messages and meanings for yourself as you watch it.

Okay, I'm gonna say this now. When I first heard that they were making a prequel to Monsters Inc., my first reaction was "Oh crap." I thought it was unnecessary to make anything else to do with that universe, especially since the original film came out over ten years ago. And you know what, after seeing it, I still think it is unnecessary. That doesn't mean I think this is a bad film, far from it, but the ending to Monsters Inc. is for me one of those endings where you don't need anything else. The film was resolved perfectly, and for me, this prequel is just a way to cash in on a franchise. But like I said, that doesn't mean I don't think this is a bad film, and I did enjoy watching it. I just don't think it needed to be made.

Well, now that that's out of the way, what makes this film good? The same thing that held the first film together, the relationship between Mike and Sulley. It is nice to watch them build up their friendship and get to know each other in a fairly believable way, and the other characters in the Oozma Kappa fraternity are all interesting in their own way, especially the designs. But Mike and Sulley really steal the show, especially in the last 20 minutes or so of the film. In fact, the last 20 minutes of the film saved it for me. Up until then, the plot was essentially your typical underdog sports movie type plot, and the end happened and everything changed. I'm not saying what happened, but it is almost as good as the ending in the first one. Almost.

So, if I had one complaint, it would be that Randall's character doesn't get enough screen time. It's pretty much just tagged on as an after thought, which leaves his character really thin. The other thing is that animation is very childish. There are a lot of primary colours used, whereas the first one was more natural looking and dark, but that's just me being a nitpick. The actual animation on the characters is superb as always, I just don't like the colour scheme. Randy Newman returns to do the score, and it is really good this time! There are a few pieces from the first film used here and there, but there are also some really excellent new pieces that use a marching band instrumentation to bring out to university feel. It works really well.

I think that's it for Monsters University. If you liked the first one, then you will probably like this. If you love the first one, like me, then you may come out of this like me feeling a little bit... confused. Not really thinking it should exist, but liking it anyway sort of thing. But it is a good film, it's funny, the characters are great and kids will more than definitely like it.

Moving on to our next film, and I can pretty much guarantee that every kid will like something in this movie. I saw this film about 3 weeks after it had come out at the cinemas and there was not a single seat left in the house. Mind you, it was school holidays, but still. Despicable Me 2 follows the adventures of Gru (Steve Carrell), ex-villain and now proud father, as he is roped into helping the Anti Villain League, run by Silas Ramsbottom (Steve Coogan). He is given a mission to discover a villain in a shopping centre, and also a new partner, Lucy (Kristen Wiig). But that doesn't matter. The whole plot doesn't matter, and doesn't make much sense. This film is basically Minions and other people who are also doing stuff... but mainly MINIONS! They are getting their own film as well.

Yeah, if you didn't like the minions from the first film, then you won't like this film at all. There are whole segments where the plot takes a back seat because the minions are doing something funny. Whereas in the first film they comedic background noise, in this film they take over the whole thing. And to be honest, if you're willing to just sit back and have fun and let the silliness wash over you, then it's not that bad. The minions are funny, so much so that other companies are now copying them terribly (looking at you, Lorax) and even though they draw so much away from the plot, I found my self not caring too much. Basically because this isn't a serious film. It doesn't care if the plot staggers to a rather anti-climatic conclusion, it just wants it's audience to have fun. And have fun I did!

Voice acting-wise, everyone here is good. Steve Carrell is excellent again, as Gru. Kristen Wiig is fun and Lucy is probably my favourite character from the film, if only because she moves from professional to fangirly in a matter of seconds. Both Ken Jeong and Steve Coogan are underused, with there really being no point for Jeong to be in the film except as an obvious red herring. Russell Brand seems to me to be one of those actors, like Seth Rogan, who would be better off as a voice actor, if only because he seems to put more effort into his voice roles than his live action work, though unfortunately in this film his character, Dr Nefario, was sadly not in it that much.

Again, the music was also excellent, with some fun songs written Pharrell Williams, and one of them is even sung by Cee Lo Green. But the tune that steals the show is the Minions version of the YMCA. I think my friend died of laughter at the end of the film when they started singing that. The girls in this sequel aren't in it as much, but Margo (Miranda Cosgrove) does get a cute little romantic subplot that also adds to Gru's frustrations as a father. In fact, everything in this film that isn't minion related, adds to both plot and character, but since the minions are at the centre of it all they take centre stage. It's a tricky conundrum to pull off, and to the films credit, it does this very well. If you want to see something fun and not too complicated or anything, then I'd recommend this.

And finally, we move onto Epic. M.K (Amanda Seyfried) moves back in with her estranged father (Jason Sudeikis) after her mother dies. Her father is obsessed with finding the Leafmen who live in the woods near their house, and obsession that led to his wife leaving him before the events of the film. M.K at first doesn't believe him, until she is shrunk down by the Queen (Beyonce Knowles) and told to guard a pod that contains the Light of the Forest from the evil Boggans, led by Mandrake (Christoph Waltz). Helping her is the leader of the Leafmen, Ronin (Collin Farrel), a young warrior named Nod (Josh Hutcherson) and Mub and Grub (Aziz Ansari and Chris O'Dowd), a slug and snail respectively who are the caretakers of the pods.

When I first saw the trailer, I thought this was a gender-swapped Ferngully, and I'm sure a lot of other people thought that as well. There are countless films that are so similar to this, whether through style or story or design or character, it would be pointless to name them all, but some of the ones I came up with were Avatar, Arthur and the Invisibles, and The Spiderwick Chronicles. But let me tell you something, this is better than all of them. The biggest problem with this film was that it came out too late. If this had come out ten or even five years ago, then I think people wouldn't dismiss this film as easily as they are doing now, and as I did. That isn't to say it's perfect, but out of all the out-of-body/walk-in-someone-elses-shoes/shrinking-humans with a possible environmental message films that are out there (and there are more than you'd think), this one is at the top.

And I think the reason for that is because there is no real environmental message. In fact, you want the message of the movie? Watch the rainforest speech from The IT Crowd. That is the message. Everyone is connected, and relies upon and helps each other. The animation in this is also glorious, and some of the designs for the leafmen and the forest inhabitants are very beautiful. The characters are also fun, but my favourite would have to be Queen Tara, mainly because she doesn't let being in a life threatening situation ruin her day. She still has fun! And then when she is in immediate danger, she helps all her subjects as she is helping herself. And she's Queen, not Princess, fucking Queen! Oh my god, it is refreshing to not have an authority figure that is female that isn't a Princess for once.

The voice acting is generally good, with the Chris O'Down and Aziz Ansari stealing many of the scenes they're in. Pitbull makes a cameo appearance as a toad (he he), but I think the real thing that makes this film my favourite of the three (and it is my favourite, and I'll get into more detail as to why in a minute) is that it has Steve Tyler playing a glowworm named Nim Galuu. Let me repeat that. Steve Tyler, yes that Steve Tyler, play a glowworm named Nim Galuu. Nothing can beat that.

So, apart from Steve Tyler, why is this my favourite? I think it might be because, even though the story was old 20 years ago, it isn't part of an existing franchise. Yeah, it was based on a book, from the same author who wrote books that Meet the Robinsons, and The Rise of the Guardians would be based on, but it isn't a sequel or prequel. In the film world, it is an original. The story may not be new, but all the little details are, and it stands out against a world dominated by tired franchises that need to be put down (looking at you, Fast and Furious 6). So yeah, if you haven't seen any of these movies, I would recommend all of them. They all cater to different tastes, so you're bound to find something you like in one of them. I think my next blog will be a list. Not sure yet. Anyway, until next time, readers.

Best Pre-Released Movies Seen This Year.... So Far

I haven't just been seeing a shit-load of movies in the cinema this year! I've also discovered the joy of the audio-visual collection at my uni, and have been borrowing and watching a lot of films from their catelogue (which might explain why I've been getting shit grades in English this semester). Anyway, as well as the many DVDs I've watched for the first time this year, I've also seen quite a number of other pre-released films, ie. movies that were released in a commecial cinema before this year, whether at Acmi or at the Astor. And I thought I would share some of the ones that stood out the most for me this year in terms of visuals, characters, story, premise or for just being fun! I hope that someone will read this and watch some of them and get the same enjoyment that I did while watching these films. Anyway, on with the list!

10. Poltergay

And people think the French are classy! This film has the best title for its premise. A straight guy and his girlfriend move into a new home that is terrorised by 5 dead gay ghosts that only the straight guy can see. Holy fuck, that is awesome! That premise, and the fact that Clovis Cornillac is in it, made me need to see this film. And it's actually pretty good. The plot, while it has some cliches, can be fairly unpredictable at times. It treats the supernatural elements in a unique way, and the lead actors pull it off really well. There are some running gags and subplots that don't really go anywhere, and the ending is a bit abrupt, but I'm prepared to forgive its shortcomings because it has one of the best coming out scenes! And I am not going to spoil it! If you don't want to see this film based on the title and premise, then there is something wrong with you!

9. Troll 2

I kinda wish I'd done my guilty pleasure list after seeing this film, because this would definitely be in the top 3! I saw this at the Astor as part of Cinema Fiasco, a commentary series done all over Melbourne and is fucking hilarious. It was really the only way to see the film. The whole audience was in on the joke and there wasn't a moment when someone wasn't laughing. So, the history behind the film is better than the plot of the film itself, mainly because the plot makes no sense whatsoever! And that is only partly why this is incredible! There is crap acting, crap make-up, crap effects, non-sensical dialogue... All this crapness that combines to make something unbelievably enjoyable. I'm sure many people have seen the infamous "OH MY GOOOOOOOOOD!" clip on youtube, but believe me, that is only the tip of the iceberg. If you love Z-grade movies, then you have to see this one! But watch it with friends, cause otherwise your brain will melt.

8. The Intruder

There was a Roger Corman retrospective at Melbourne Cinematheque, and because his movies are just the sort of schlock I love, I decided to check it out. By far, the best film out of the bunch was this little 1962 race-relations flick starring a very young William Shatner. Considering the subject matter and when this came out, this is a really interesting photograph into the segregated south of the 60s. But what is more amazing is Shatner himself, playing against type as as sleazy, racist bastard who tries to stur up trouble in a small southern town (I say playing against type, but then again I've really only seen him as Kirk). This is a really brave film to make, especially for 1962. Mixed in with some of the more goofy moments, mainly down to the unprofessional actors, there are some really chilling visuals involving the Ku Klux Klan and a violent lynch mob. Unfortunately, it didn't get a big release, and wasn't even able to make back it's tiny $80,000 budget. If you get a chance to see this, do. It may be small, but it's also impressive.

7. Stage Fright

This isn't the only Hitchcock film I've seen this year. Nope, I've also had the pleasure of watching Notorious and The Birds for the first time. But I enjoyed this one more, not only because it first introduced me to Jane Wyman, who is quickly becoming one of my favourite dramatic Hollywood actresses. Not only because it's the first Marlene Dietrich film I've seen all the way through. And not only because it's a thriller set backstage at a theatre with excellent characters and a good twist. No, the one element that really made me love this film was the scene where Alistair Sim plays an accordion. Just to clarify the awesome, Alistair Sim plays the accordion in a Hitchcock movie! Yes I am insane, but it was that scene that made this film all the more amazing! Though you should check the other Hitchcock movies as well. In fact, watch all the Hitchcock movies! It's what I'm aiming to do!

6. Kelly's Heroes  

One word, Oddball. If you though Murdock was insane, he is nothing compared to Donald Sutherland's Oddball. I love this character to death! And considering that his total minutes of screen-time probably add up to something like 20 minutes, in what is meant to be a Clint Eastwood movie, he not only steals this film, but runs it over with his tank in the process! For some reason, I've been watching a lot of films this year with Clint and Donald, but when you pair them together, you get one of the most fun war movies, that actually plays out more like a heist movie than a war movie... but it's still awesome! Especially with the likes of Telle Savalas and Don Rickles in supporting roles, and if you look close enough, Harry Dean Stanton is in there as well! 

5. Subway

To some, he is Christopher Lambert, star of Highlander! But to me, he will always be Chritophe Lambert (the 't' is silent), the star of Luc Besson's Subway. This film is stylish as hell! And not surprising, considering it comes from the French cinema du look movement of the 80s, where style ruled and substance not so much. And yeah, the plot is kinda non-existant to not explained outright. But I don't like this film for the plot, I like this film for the characters. From Lambert's cooler-than-thou Fred, to Isabelle Adjani's stylish socialite Helena, all the characters, even the very minor ones are memorable. But my favourites are definitely Le Roller (Jean-Hugues Anglade), a pick-pocket who escapes the police by living on roller-skates, and Le Batteur, played by a very young Jean Reno, who makes the greatest face when he gets to do a drum solo at the end. If you like French films with more style that substance, then this is one for you.

4. La Strada

I saw my first Fellini film! And oh my god, it was heartbreaking! I can see why people say Giulietta Masina is a female Charlie Chaplin. Her face is so childlike and expressionful, and watching her being abused by Anthony Quinn is like watching a puppy being kicked! But at the same time, La Strada is such a magical film, and so simply told. I am definitely going to try and see some more Fellini this year, but for my first foray into the auteur, this film is incredible.

3. The Lost Weekend

Jane Wyman strikes again! And this time with Ray Milland and Billy Wilder! Wilder is one of my favourite directors, and Sunset Boulevard is one of my all time favourite movies, but I think I made a mistake of watching a double of Ace in the Hole and this. Don't get me wrong, they are both astoundingly excellent, but Ace in the Hole is so painful to watch, that watching this afterwards was not the best pick-me-up. But I did enjoy it more, mainly because of the flawed protagonist the Milland plays, an alcoholic writer, who tries to write by living off drink for a whole weekend. This again is a heartbreakingly beautiful film, and one of Wilder's finest. I don't think I can recommend it enough, so I'll stop now before I get repetitive.

2. Don't Look Now

Steven Jay Schneider, who wrote entry on Don't Look Now for the book series 1001 Movies You Must See Before You Die is the biggest dick in the world for spoiling the incredible conclusion of this film. If you own a copy of that book, and you haven't seen this film, don't read it! Don't Look Now isn't only considered one of the best thrillers, but also the greatest British film ever made. And of course, it has Donald Sutherland in it, which makes it all the more amazing. I don't really want to say much more, if only because you will enjoy this more, if you know less about it. The good thing is, even if this has been spoiled for you (as it was for me, and no, I will not get over it!) it is still full of suspense even if you know the twist.

1. Carnival of Souls

Now, why would I put this little known 60s horror film above the likes of Nicolas Roeg and Billy Wilder? I mean, it was made by a company that predominantly made educational films before making this tiny film, that flopped big time when it came out. The lead actress, Candace Hilligoss, isn't even a professional actress and only starred in one other film apart from this! I mean, really, this can't be good. And no, it isn't good. It's fantastic! Which is odd, because it probably has the most predictable plot out of any of the films on this list. But you don't watch this film for the plot, you watch it for the atmosphere, which is incredibly eerie, helped by the haunting organ score by Gene Moore. And there are some visuals which leap out at you and stay in your mind. After watching this, it's easy to see why directors like David Lynch and George A Romero were inspired by this film. And since it's in public, it's also the easiest film to find. If you're bored one day, check it out. You may be surprised by how hauntingly beautiful this film is.


This list was hard! Mainly because there were just so many good films I've seen so far this year. And not just on DVD, but a lot of the films I've seen in the cinema this year have also been really good, or at the very least watchable. Which means the end of year lists are going to be difficult to say the least. Anyway, hope that I've made these films seem interesting enough for you to check out at least one of them. Until next time, readers.